Alfonso Cuarón’s Roma is a study in contrasts

Based in a politically tempestuous time in 1970s Mexico, Alfonso Cuarón’s personal sketch gambols between the journey of Cleodegaria “Cleo” Gutierrez as she serves as live-in help for a middle-class Mexican family, and the societal upheaval that swept through the country during that period. Civil conflict between the incumbent authoritarianism led by the PRI (Institutional…

Gully Boy | Review

No mincing words, no flinching courage, With heads held high comes the convoy, The commotion starts, emotions rise, Look to your right, Enter Gully Boy!! Well, the movie has got me pumped and my sleepy poet awake. Joyce Meyer put it aptly when he said, “ Words are containers for power. You choose what kind…

Is Alita: Battle Angel Rodriguez’s best film yet ?

Although I enjoyed Robert Rodriguez’s popular trilogy Spy Kids as a teenager, I always saw him as a director whose style was a bit over-the-top with a tinge of exaggerated drama which made his films feel like super-bowl commercials. Don’t get me wrong here. Rodriguez knew what he was doing and his movies had a…

Ek Ladki Ko Dekha Toh Aisa Laga | Review

The Supreme Court of India gave a landmark judgement regarding Section 377 on Sep 2018 lifting the 158-year-old archaic law that prohibited ‘unnatural offenses’ in terms of sexual intercourse against the order of nature of any man, woman or animal. Being highly subjective in its verbiage, Section 377 had become a weapon for anyone and…

Four More Shots Please |It stutters but makes it up with verve

So, Sex and the City and Veere Di Wedding had a love child? Before you reject my hypothesis as spurious, hear me out. Four females with broken hearts, internal turmoil and fantasy filled ‘sex’capades become each other’s strengths and a lucky suburban Bar’s premium customers. Going by the number of shots they wash down their…

Velvet Buzzsaw is a buzzkill | Netflix

Jordan Peele’s directorial debut Get Out became the breakout film of 2018 through its piercing, literal commentary of the unconscious racism that still pervades the predominantly white America. On the outset, Get Out uses all the tropes of a neoclassic horror thriller in its premise where Daniel Kaluuya, who plays Chris, goes out to meet…